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This is the second part of a blog entry, where I'll reveal how I ended up working for the agents who rep some of the most acclaimed talent in the country including: actors Daniel Craig, Thandie Newton, directors Matthew Vaughan and Danny Boyle, and my most favourite cinematographer of all, Roger Deakins. If you haven't read the first part: "How I got Miramax Studios to consider my screenplay as a newbie, unagented screenwriter" you can read that here. So where were we? My script had been turned down by the VP of Development at Miramax Studios, but remarkably, after I had thanked him for his notes which I then incorporated into a second draft, he agreed to read my screenplay again. I've sinc